Techniques in Music Production

Sometimes when we are creating the music, the noises of the digital instruments we are using leave a lot to be needed; they are either as well thin, too tiny, or simply don’t have that extra zest. In some cases, the audio is perhaps close to what we listen to in our head, yet it needs a little something else, maybe one more audio stacked on top of it to create a mix of noise. This is called a layering strategy and is made use of extremely typically when we create music using the software.

The default means to produce a layered noise would just be to take 2 sound sources that you like – whether they are sample-based or synth-based – and create 2 MIDI/Audio tracks for every noise respectively. After that, you simply play the very same MIDI pattern on both tracks or make slices of Audio that start and also end at the same time also on both tracks. When you playback the sequence, given that the pattern of both the tracks is the same only with different audio sources, you will hear the combined sound; after, it is up to you to decide whether you like that audio or wish to add another layer in addition to it.

The significant music creation software applications readily available today have their very own ways of using this layering method with effective and light CPU tons, so we don’t need to utilize the technique over. A number of ways of layering in some music production software applications consist of:

1. Propellerhead Factor Combinator. The Combinator device does what its name implies: it combines noises. The method you do this is to create a Combinator gadget by appropriate clicking the vacant shelf area as well as Produce -> Combinator. The Combinator starts booted up (which means that it starts empty), and you can right-click inside the vacant Combinator to create your option of tools (it resembles a rack within a shelf!). If you want to use more than one instrument, you have to produce a Line Mixer first, then attach all your various other tools in the Combinator to this Mixer, where it attaches to the Combinator Stereo Out.

When you have actually completed layering the audios, by triggering the Combinator track as well as having fun on your MIDI keyboard, you will certainly hear the split audios. You can better edit this noise utilizing Combinator’s programs user interface, where you can divide the noises based on key-range or rate range (more concerning this in a future post).

2. FL Workshop Layer. FL Studio has a simpler (and also possibly more intuitive for some) method to layer sounds. Pick the samples or instruments you like in the left browser and afterward produce a track for each. Then on the sequencer checklist, right-click and also Put -> Layer. Choose the sound sources you want by activating the little green light on the left side of each track, then open up the Layer setups home window and highlight -> Establish Youngsters.

Currently when you trigger the Layer track and also play something, the Kid track – that is the audio resources you select will play additionally. You can further modify this layer by vital range: click each audio resources setups window and also just drag the location in addition to the key-board representation you see to establish in which key zones it will certainly play. Since it will not play outdoors your determined key-zone, you can make one sound play for example in C-2 to C-3, and one more sound for C-4 to C-5 (for example reduced as well as high strings appear).

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